Alma Tadema
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Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Here are all the paintings of Raphaelle Peale 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
4271 After the Bath Raphaelle Peale After the Bath 1823
83644 After the Bath Raphaelle Peale After the Bath Oil on canvas English: Oil on Canvas Dimensions Deutsch: 74.3 x 61.3 cm English: 29 1/4" x 24 1/8" cyf
76795 Boy from the Taylor Family Raphaelle Peale Boy from the Taylor Family Date ca. 1812(1812) Medium Oil on canvas Dimensions 145.1 ?? 92.1 cm (57.1 ?? 36.3 in) (57.13 ?? 36.25") cyf
82508 George Washington Raphaelle Peale George Washington oil on canvas. 36 in. x 29 in. (91.4 cm. x 73.7 cm.) cyf
83374 George Washington Raphaelle Peale George Washington 1795 - 1823 Medium Oil on canvas Dimensions 91.4 x 73.7 cm (36 x 29 in) cyf
80539 Rubens Peale with a Geranium Raphaelle Peale Rubens Peale with a Geranium English: 1801 Medium Oil on canvas Dimensions English: 28 1/4 x 24" (71.7 x 61 cm) cyf
4273 Still Life fdhgdfghf Raphaelle Peale Still Life fdhgdfghf 1820
39056 Still Life with Cake Raphaelle Peale Still Life with Cake mk140 1822 Oil on panel 24.1x28.7cm
71409 Still Life with Cake Raphaelle Peale Still Life with Cake ca. 1822(1822) Oil on panel 24.1 x 28.7 cm (9.49 x 11.3 in)
4272 Still Life with Orange and Book Raphaelle Peale Still Life with Orange and Book   
70998 Still Life with Peaches Raphaelle Peale Still Life with Peaches ca. 1821(1821) Oil on panel 32.5 x 49 cm (12.8 x 19.29 in)
71936 Still Life with Peaches Raphaelle Peale Still Life with Peaches Date ca. 1821(1821) Dimensions 32.5 X 49 cm (12.8 X 19.29 in)
72110 Still Life with Peaches Raphaelle Peale Still Life with Peaches Date ca. 1821(1821) Medium Oil on panel Dimensions 32.5 X 49 cm (12.8 X 19.29 in) cyf
91084 Strawberries, Nuts Raphaelle Peale Strawberries, Nuts 1822(1822) Medium oil on panel Dimensions 41.6 x 57.8 cm (16.4 x 22.8 in) cyf
42967 The Crucified Christ with the Virgin Mary,Saints and Angels Raphaelle Peale The Crucified Christ with the Virgin Mary,Saints and Angels mk170 1503 Oil on poplar 280.7x165.1cm

Raphaelle Peale
1774-1825 Peale was born in Philadelphia as the son and first child of Rachel and Charles Willson Peale, a famous portraitist. Lived in Philadelphia, on a home at the corner of 3rd and Lombard. Married Martha (Patty) McGlathery at the age of 20. First first professional exhibition was in 1795 at the age of 21. Artist. Born Raphaelle Peale in Annapolis, Maryland on February 17, 1774, the fifth child, though eldest surviving, of Charles Willson Peale and his first wife Rachel Brewer. As with all the Peale children, Raphael was trained by his father as an artist. Early in his career, the pair collaborated on portraits. On some commissions, Raphael painted miniatures while his brother, Rembrandt, painted full size portraits. In 1792, he made a trip to South America in order to collect specimens for the Peale's Museum. In 1797, with his brother Rembrandt, he traveled to Charleston, South Carolina, where they attempted to establish another museum. The plan fell through, however, and Raphael returned to painting miniatures. He married Martha McGlathery at about that same time, and with her had eight children. For about two years beginning in 1803, Raphael toured Virginia with the ??physiognotrace,' a profile making machine, with which he was briefly successful. In August 1808, he was hospitalized with delirium tremens, exacerbated by severe gout. By 1813, he was unable to walk without crutches. After the downturn in his health, in an era when most artists considered still life a subject worthy only of amateurs, he devoted himself almost exclusively to still life painting. It is for these works he is best known. Raphael Peale is today considered the founder of the American Still Life school. His work was on frequent exhibit at the Pennsylvania Academy of the Fine Arts between 1814 and 1818. After reportedly indulging in a night of heavy drinking, his health destroyed, Raphael died on March 3, 1825 at age 51 at his home in Philadelphia. Peale's tightly grouped still lifes are often permeated with a delicate melancholy akin to that which characterized the life of the artist; he was an alcoholic who suffered the effects of arsenic and mercury poisoning caused by his work as a taxidermist in his father's museum. His spare, essential style may have been influenced by the Spanish still lifes he studied in Mexico and by the works of Juan Sanchez Cotan, exhibited at the Pennsylvania Academy in 1818.
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